BY SOMEONE

By Clarisse

An ode to natural lighting and soft shapes

Clarisse holding a translucent paper light panel in her studio
CLARISSE IN HER STUDIO

Modern design loves over-illumination. Clarisse takes the opposite approach, giving light a protective envelope that reinterprets natural illumination.

By shaping Japanese paper, she introduces a gentle, curved tension.

Clarisse hand stitching a washi paper light surfaceClarisse's metal workbench with a translucent paper panel

By shaping Japanese paper, she introduces a gentle, curved tension.

The frame is made of metal, cut and assembled by hand into a lightweight structure with curved surfaces. Over it, Clarisse stretches washi, a fine, translucent Japanese paper that filters without blocking and diffuses without flattening. At the joints, tape. What began as an assembly mistake became a signature: an honest line that reveals how the piece was made and refuses to hide it.

A glowing cylindrical washi paper light suspended beside a window

Lumil grew from the same logic. A mobile light, its curved filters catch and reflect illumination in patterns that move gently through the space.

The Lumil casting a deep orange sunset-like light
Lumil — mobile light

Its color shifts from blue to orange, echoing the natural cycles of the day.